Pythagoras rotated this unique type of triangle (with its one right angle) in a fourfold pattern, its longest side facing outward, and so generated the symmetrical boundaries of a perfect square. Then, by a redistribution of the triangles making up the symmetrical pattern, he showed that the remaining two sides of the right-angled triangle structure also generated the symmetry of two perfect squares. And, that these two squares of symmetry are contained within and equivalent to the symmetry of the square of the longest side. (Fig. 5) This is true of all triangles having a right-angle, and not true of any other archetypal geometric structure. (Ref: "The Ascent of Man", Jacob Bronowski)
The validity of science’s natural laws and universal theories, dependent as they are on the plane right-angled triangle, speaks for the correspondence of this geometrical structure with Nature’s symmetry, and the source of symmetry in 2-dimensional space. If there were no such correspondence, then its numerical expressions of the plane right-angled triangle would not have led to subsequent mathematical descriptions corresponding with the laws of nature and universe.
All Is Vibration
All Vibration Follows Universal Law
All Gives All Receives
All Loves
All Vibration
Seeks its own Level
To find any Level
Set forth the Vibration
By Law you Will Go there
By Law it Will come.
v
In Harmony With Universal Law
All Vibration moves as One Flow
Interrupt the Flow only to Find
In This Natural Order thus does it Go
In Forever Passing Through, Divided in Two
Receptivity be the Way of Emptiness
The One calls to Come and Fill
Giving be the Way of Abundance
The One Flows forth to Fill
Always then the Way of the Flow
Dependence on That Which is Above
The Object of Dependence
To that Which is Below
Two will Repel
Two will Attract
Two will Together, Interact
Look then to Four
For All that Need Be
For All Creation
Vibration Be
One.
Two.
One and Two.
Three.
One and Two
Beget Four
Thus Opens the Infinite Door
R. Buckminster Fuller
Paolo Soleri
John Todd - "The bulk of my work has to do with dealing with toxins in the environment, which are damaging to many people."
We define ecological design as "any form of design that minimizes environmentally destructive impacts by integrating itself with living processes." -Sim Van der Ryn, Peter Calthorpe
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